ARISTOPHANES’ DEPICTION OF SOCRATES IN THE CLOUDS
According to the Internet Encyclopedia of Philosophy: Aristophanes’ play “”The Clouds” depicts the tribulations of Strepsiades, an elderly Athenian citizen with significant debts. Deciding that the best way to discharge his debts is to defeat his creditors in court, he attends The Thinkery, an institute of higher education headed up by the sophist Socrates. When he fails to learn the art of speaking in The Thinkery, Strepsiades persuades his initially reluctant son, Pheidippides, to accompany him. Here they encounter two associates of Socrates, the Stronger and the Weaker Arguments, who represent lives of justice and self-discipline and injustice and self-indulgence respectively.
On the basis of a popular vote, the Weaker Argument prevails and leads Pheidippides into The Thinkery for an education in how to make the weaker argument defeat the stronger. Strepsiades later revisits The Thinkery and finds that Socrates has turned his son into a pale and useless intellectual. When Pheidippides graduates, he subsequently prevails not only over Strepsiades’ creditors, but also beats his father and offers a persuasive rhetorical justification for the act. As Pheidippides prepares to beat his mother, Strepsiades’ indignation motivates him to lead a violent mob attack on The Thinkery. [Source: Internet Encyclopedia of Philosophy (IEP) ]
“Aristophanes’ depiction of Socrates the sophist is revealing on at least three levels. In the first instance, it demonstrates that the distinction between Socrates and his sophistic counterparts was far from clear to their contemporaries. Although Socrates did not charge fees and frequently asserted that all he knew was that he was ignorant of most matters, his association with the sophists reflects both the indeterminacy of the term sophist and the difficulty, at least for the everyday Athenian citizen, of distinguishing his methods from theirs. Secondly, Aristophanes’ depiction suggests that the sophistic education reflected a decline from the heroic Athens of earlier generations. Thirdly, the attribution to the sophists of intellectual deviousness and moral dubiousness predates Plato and Aristotle.”
Websites on Ancient Greece and Rome:
Internet Encyclopedia of Philosophy iep.utm.edu; Stanford Encyclopedia of Philosophy plato.stanford.edu;
Internet Ancient History Sourcebook: Greece sourcebooks.fordham.edu ; Internet Ancient History Sourcebook: Hellenistic World sourcebooks.fordham.edu ; BBC Ancient Greeks bbc.co.uk/history/; Canadian Museum of History historymuseum.ca; Perseus Project - Tufts University; perseus.tufts.edu ; ; Gutenberg.org gutenberg.org;
British Museum ancientgreece.co.uk;
Illustrated Greek History, Dr. Janice Siegel, Department of Classics, Hampden–Sydney College, Virginia hsc.edu/drjclassics ;
The Greeks: Crucible of Civilization pbs.org/empires/thegreeks ;
Oxford Classical Art Research Center: The Beazley Archive beazley.ox.ac.uk ;
Metropolitan Museum of Art metmuseum.org/about-the-met/curatorial-departments/greek-and-roman-art; The Ancient City of Athens stoa.org/athens;
The Internet Classics Archive kchanson.com ; Internet Ancient History Sourcebook: Rome sourcebooks.fordham.edu ; Internet Ancient History Sourcebook: Late Antiquity sourcebooks.fordham.edu ; Forum Romanum forumromanum.org ;
“Outlines of Roman History” forumromanum.org; “The Private Life of the Romans” forumromanum.org|; BBC Ancient Rome bbc.co.uk/history;
The Roman Empire in the 1st Century pbs.org/empires/romans; The Internet Classics Archive classics.mit.edu ; Bryn Mawr Classical Review bmcr.brynmawr.edu; De Imperatoribus Romanis: An Online Encyclopedia of Roman Emperors roman-emperors.org; Cambridge Classics External Gateway to Humanities Resources web.archive.org/web; Ancient Rome resources for students from the Courtenay Middle School Library web.archive.org ; History of ancient Rome OpenCourseWare from the University of Notre Dame /web.archive.org ; United Nations of Roma Victrix (UNRV) History unrv.com
Socrates Dialogue from the Clouds
Aristophanes wrote in “The Clouds”:
Strepsiades: Who is this man suspended up in a basket?
Disciple: That's himself.
Strepsiades: Who's himself?
Strepsiades: Socrates! Oh! I pray you, call him right loudly for me.
Disciple: Call him yourself; I have no time to waste. (He departs. The machine swings in Socrates in a basket.)
Strepsiades: Socrates! my little Socrates!
Socrates (loftily): Mortal, what do you want with me?
Strepsiades: First, what are you doing up there? Tell me, I beseech you.
Socrates (pompously): I am traversing the air and contemplating the sun.
Strepsiades: Thus it's not on the solid ground, but from the height of this basket, that you slight the gods, if indeed....
Socrates: I have to suspend my brain and mingle the subtle essence of my mind with this air, which is of the like nature, in order clearly to penetrate the things of heaven. I should have discovered nothing, had I remained on the ground to consider from below the things that are above; for the earth by its force attracts the sap of the mind to itself. It's just the same with the watercress.
Strepsiades: What? Does the mind attract the sap of the watercress? Ah! my dear little Socrates, come down to me! I have come to ask you for lessons.
Socrates (descending): And for what lessons?
Strepsiades: I want to learn how to speak. I have borrowed money, and my merciless creditors do not leave me a moment's peace; all my goods are at stake.
Socrates: And how was it you did not see that you were getting so much into debt?
Strepsiades: My ruin has been the madness for horses, a most rapacious evil; but teach me one of your two methods of reasoning, the one whose object is not to repay anything, and, may the gods bear witness, that I am ready to pay any fee you may name.
Socrates: By which gods will you swear? To begin with, the gods are not a coin current with us.
Strepsiades: But what do you swear by then? By the iron money of Byzantium?
Socrates: Do you really wish to know the truth of celestial matters?
Strepsiades: Why, yes, if it's possible.
Socrates: ....and to converse with the clouds, who are our genii?
Strepsiades: Without a doubt.
Socrates: Then be seated on this sacred couch.
Strepsiades (sitting down): I am seated.
Socrates: Now take this chaplet.
Strepsiades: Why a chaplet? Alas! Socrates, would you sacrifice me, like Athamas?
Socrates: No, these are the rites of initiation.
Strepsiades: And what is it I am to gain?
Socrates (pouring flour on Strepsiades): You will become a thorough rattle-pate, a hardened old stager, the fine flour of the talkers....But come, keep quiet.
Strepsiades: By Zeus! That's no lie! Soon I shall be nothing but wheat-flour, if you powder me in that fashion.
Socrates: Silence, old man, give heed to the prayers. (In an hierophantic tone) Oh! most mighty king, the boundless air, that keepest the earth suspended in space, thou bright Aether and ye venerable goddesses, the Clouds, who carry in your loins the thunder and the lightning, arise, ye sovereign powers and manifest yourselves in the celestial spheres to the eyes of your sage.
Strepsiades: Not yet! Wait a bit, till I fold my mantle double, so as not to get wet. And to think that I did not even bring my traveling cap! What a misfortune!
Socrates (ignoring this)
“Come, oh! Clouds, whom I adore, come and show yourselves to this man, whether you be resting on the sacred summits of Olympus, crowned with hoar-frost, or tarrying in the gardens of Ocean, your father, forming sacred choruses with the Nymphs; whether you be gathering the waves of the Nile in golden vases or dwelling in the Maeotic marsh or on the snowy rocks of Mimas, hearken to my prayer and accept my offering. May these sacrifices be pleasing to you.
Xenophon: On Socrates
Xenophon, an Athenian born 431 B.C., was a pupil of Socrates who marched with the Spartans, and was exiled from Athens. He was a great admirer of the Spartans. Sparta gave him land and property in Scillus, where he lived for many years before having to move on and settling in Corinth. He died in 354 B.C.
Xenophon on Socrates: Memorabilia IV: "If anyone thinks that Socrates is proven to have lied about his daimon because the jury condemned him to death when he stated that a divinity revealed to him what he should and should not do, then let him take note of two things: first, that Socrates was so far advanced in age that he would have died soon, if not then; and second, that he escaped the most bitter part of life, when all men's mental powers diminish." [Source: John Paul Adams, CSUN]
“Memorabilia IV: "If I [Socrates] am to live longer, perhaps I must live out my old age, seeing and hearing less, understanding worse, coming to learn with more difficulty and to be more forgetful, and growing worse than those to whom I was once superior. Indeed, life whould be unliveable, even if I did not notice the change. And if I see the change, how could life not be even more wretched and unpleasant?"
“Apologia of Socrates: "If my life is to be prolonged now, I know that I must live out my old age, seeing worse, hearing less, learning with more difficulty, and forgetting more and more of what I have learned. If I see myself growing worse and reproach myself for it, tell me, how could I continue to live pleasantly? Perhaps even the god in his kindness is offering to end my life not only at the right time, but also in the easiest way possible..."
“Memorabilia I.: "You will know that the divine is so great and of such a nature that it sees and hears everything at once, is present everywhere, and is concerned with everything."
Xenophon: The Symposium
The Symposium records the discussion of Socrates and company at a dinner given by Callias for the youth Autolycus. Dakyns believed that Plato knew of this work, and that it influenced him to some degree when he wrote his own "Symposium."
Xenophon wrote in “The Symposium”(or “The Banquet”): “For myself, I hold to the opinion that not alone are the serious transactions of "good and noble men"most memorable, but that words and deeds distinctive of their lighter moods may claim some record. In proof of which contention, I will here describe a set of incidents within the scope of my experience. The occasion was a horse-race at the great Panathenaic festival. Callias, the son of Hipponicus, being a friend and lover of the boy Autolycus, had brought the lad, himself the winner of the pankration, to see the spectacle. [Source: Xenophon, “The Symposium,” translation by H.G. Dakyns, Project Gutenberg]
“As soon as the horse race was over,Callias proceeded to escort Autolycus and his father, Lycon, to his house in the Piraeus, being attended also by Niceratus.But catching sight of Socrates along with certain others (Critobulus,Hermogenes, Antisthenes, and Charmides), he bade an attendant conduct the party with Autolycus, whilst he himself approached the group, exclaiming:
“A happy chance brings me across your path, just when I am about to entertain Autolycus and his father at a feast. The splendour of the entertainment shall be much enhanced, I need not tell you, if my hall should happily be graced by worthies like yourselves, who have attained to purity of soul, rather than by generals and cavalry commanders and a crowd of place-hunters.
“Whereat Socrates: When will you have done with your gibes, Callias? Why, because you have yourself spent sums of money on Protagoras, and Gorgias, and Prodicus, and a host of others, to learn wisdom, must you pour contempt on us poor fellows, who are but self-taught tinkersin philosophy compared with you?
“Hitherto, no doubt (retorted Callias), although I had plenty of wise things to say, I have kept my wisdom to myself; but if only you will honour me with your company to-day, I promise to present myself in quite another light; you will see I am a person of no mean consideration after all. Socrates and the others, while thanking Callias politely for the invitation, were not disposed at first to join the dinner party; but the annoyance of the other so to be put off was so obvious that in the end the party were persuaded to accompany their host.
Feasting and Joking at the Symposium
Xenophon wrote in “The Symposium”: “After an interval devoted to gymnastic exercise (and subsequent anointing of the limbs) by some, whilst others of them took a bath, the guests were severally presented to the master of the house. Autolycus was seated next his father, as was natural,while the rest reclined on couches. Noting the scene presented, the first idea to strike the mind of any one must certainly have been that beauty has by nature something regal in it; and the more so, if it chance to be combined (as now in the person of Autolycus) with modesty and self- respect. Even as when a splendid object blazes forth at night, the eyes of men are riveted,so now the beauty of Autolycus drew on him the gaze of all; nor was there one of those onlookers but was stirred to his soul's depth by him who sat there.Some fell into unwonted silence, while the gestures of the rest were equally significant. [Source: Xenophon, “The Symposium,” translation by H.G. Dakyns, Project Gutenberg]
“It seems the look betokening divine possession, no matter who the god, must ever be remarkable. Only, whilst the subject of each commoner emotion passion-whirled may be distinguished by flashings of the eye, by terror-striking tones of voice, and by the vehement fervour of the man's whole being, so he who is inspired by temperate and harmonious lovewill wear a look of kindlier welcome in his eyes; the words he utters fall from his lips with softer intonation; and every gesture of his bodily frame conform to what is truly frank and liberal. Such, at any rate, the strange effects now wrought on Callias by love. He was like one transformed, the cynosure of all initiated in the mysteries of this divinity.
“So they supped in silence, the whole company, as if an injunction had been laid upon them by some superior power. But presently there came a knocking on the door! Philippus the jester bade the doorkeeper announce him, with apologies for seeking a night's lodging: he had come, he said, provided with all necessaries for dining, at a friend's expense: his attendant was much galled with carrying, nothing but an empty bread-basket. To this announcement Callias, appealing to his guests, replied: "It would never do to begrudge the shelter of one's roof:let him come in." And as he spoke, he glanced across to where Autolycus was seated, as if to say: "I wonder how you take the jest."
“Meanwhile the jester, standing at the door of the apartment where the feast was spread, addressed the company: ‘I believe you know, sirs, that being a jester by profession, it is my business to make jokes. I am all the readier, therefore, to present myself, feeling convinced it is a better joke to come to dinner thus unbidden than by solemn invitation.’ Be seated,then (replied the host). The company are fully fed on serious thoughts, you see, if somewhat starved of food for laughter.
“The feast proceeded; and, if only to discharge the duty laid upon him at a dinner-party, Philippus must try at once to perpetrate a jest. Failing to stir a smile, poor fellow, he made no secret of his perturbation. Presently he tried again; and for the second time the joke fell flat. Whereat he paused abruptly in the middle of the course, and muffling up his face, fell prostrate on the couch.
“Then Callias: What ails you, sirrah? Have you the cramp? the toothache? what? To which the other heaving a deep groan: Yes, Callias, an atrocious ache; since laughter has died out among mankind, my whole estate is bankrupt. In old days I would be asked to dinner to amuse the company with jests.Now all is changed, and who will be at pains to ask me out to dinner any more? I might as well pretend to be immortal as to be serious. Nor will any one invite me in hopes of reclining at my board in his turn. Everyone knows so serious a thing as dinner in my house was never heard of; it's against the rules — the more's the pity.
“And as he spoke he blew his nose and snuffled, uttering the while so truly dolorous a moanthat everybody fell to soothing him. "They would all laugh again another day," they said, and so implored him to have done and eat his dinner; till Critobulus could not stand his lamentation longer, but broke into a peal of laughter. The welcome sound sufficed. The sufferer unveiled his face, and thus addressed his inner self:"Be of good cheer, my soul, there are many battlesyet in store for us," and so he fell to discussing the viands once again. Pray, would you know the reason I'm crying? The Comic Muse long sick is now a-dying! And if she goes . . .
Xenophon: Flute Girl and Dancing Girl at The Symposium
“Now the tables were removed, and in due order they had poured out the libation, and had sung the hymn.To promote the revelry, there entered now a Syracusan, with a trio of assistants: the first, a flute-girl, perfect in her art; and next, a dancing-girl, skilled to perform all kinds of wonders; lastly, in the bloom of beauty, a boy, who played the harp and danced with infinite grace. This Syracusan went about exhibiting his troupe, whose wonderful performance was a source of income to him.[Source: Xenophon, “The Symposium,” translation by H.G. Dakyns, Project Gutenberg]
“A feast, upon my word, O princeliest entertainer!Was it not enough to set before your guests a faultless dinner, but you must feast our eyes and ears on sights and sounds the most delicious? To which the host: And that reminds me, a supply of unguents might not be amiss;what say you? Shall we feast on perfumes also?
“No, I protest (the other answered). Scents resemble clothes. One dress is beautiful on man and one on woman; and so with fragrance: what becomes the woman, ill becomes the man. Did ever man anoint himself with oil of myrrh to please his fellow? Women, and especially young women (like our two friends' brides, Niceratus' and Critobulus'), need no perfume, being but compounds themselves of fragrance.No, sweeter than any perfume else to women is good olive-oil, suggestive of the training-school:sweet if present, and when absent longed for. And why? Distinctions vanish with the use of perfumes. The freeman and the slave have forthwith both alike one odour. But the scents derived from toils — those toils which every free man loves — need customary habit first, and time's distillery, if they are to be sweet with freedom's breath, at last.
Xenophon: Conversation Involving Socrates at The Symposium
“Here Lycon interposed: That may be well enough for youths, but what shall we do whose gymnastic days are over? What fragrance is left for us?
Socrates: Why, that of true nobility, of course.
Lycon: And whence shall a man obtain this chrism?
Socrates: Not from those that sell perfumes and unguents, in good sooth.
“Lycon: But whence, then? [Source: Xenophon, “The Symposium,” translation by H.G. Dakyns, Project Gutenberg]
“Socrates: Theognis has told us: From the good thou shalt learn good things, but if with the evil Thou holdest converse, thou shalt lose the wit that is in thee.
Lycon: (turning to his son). Do you hear that, my son?
That he does (Socrates answered for the boy), and he puts the precept into practice also; to judge, at any rate, from his behaviour. When he had set his heart on carrying off the palm of victory in the pankration, he took you into his counsel;and will again take counsel to discover the fittest friend to aid him in his high endeavour,and with this friend associate.
“It looks as if something had been lost intimating that Autolycus would have need of some one to instruct him in spiritual things. For attempts to fill up the lacuna see Schenkl. Thereupon several of the company exclaimed at once. "Where will he find a teacher to instruct him in that wisdom?" one inquired. "Why, it is not to be taught!" exclaimed another; to which a third rejoined: "Why should it not be learnt as well as other things?"
While the Flute Girl Plays, Socrates Argues That Women Are Inferior
“Then Socrates: The question would seem at any rate to be debatable. Suppose we defer it till another time, and for the present not interrupt the programme of proceedings. I see, the dancing-girl is standing ready; they are handing her some hoops. [Source: Xenophon, “The Symposium,” translation by H.G. Dakyns, Project Gutenberg]
“And at the instant her fellow with the flute commenced a tune to keep her company, whilst some one posted at her side kept handing her the hoops till she had twelve in all. With these in her hands she fell to dancing, and the while she danced she flung the hoops into the air — overhead she sent them twirling — judging the height they must be thrown to catch them, as they fell, in perfect time. "In time with the music and the measure of the dance."
“Then Socrates: The girl's performance is one proof among a host of others, sirs, that woman's nature is nowise inferior to man's. All she wants is strength and judgment;and that should be an encouragement to those of you who have wives, to teach them whatever you would have them know as your associates. Antisthenes rejoined: If that is your conclusion, Socrates, why do you not tutor your own wife, Xanthippe, instead of letting herremain, of all the wives that are, indeed that ever will be, I imagine, the most shrewish?
“Well now, I will tell you (he answered). I follow the example of the rider who wishes to become an expert horseman: "None of your soft- mouthed, docile animals for me," he says; "the horse for me to own must show some spirit":in the belief, no doubt, if he can manage such an animal, it will be easy enough to deal with every other horse besides. And that is just my case. I wish to deal with human beings, to associate with man in general; hence my choice of wife.I know full well, if I can tolerate her spirit, I can with ease attach myself to every human being else. A well-aimed argument, not wide of the mark by any means! the company were thinking.
Socrates Entranced by a Dancing Boy at the Symposium
“Hereupon a large hoop studded with a bristling row of upright swords was introduced; and into the centre of this ring of knives and out of it again the girl threw somersaults backwards, forwards, several times, till the spectators were in terror of some accident; but with the utmost coolness and without mishap the girl completed her performance. Here Socrates, appealing to Antisthenes: None of the present company, I take it, who have watched this spectacle will ever again deny that courage can be taught, when the girl there, woman should she be, rushes so boldly into the midst of swords. [Source: Xenophon, “The Symposium,” translation by H.G. Dakyns, Project Gutenberg]
“He, thus challenged, answered: No; and what our friend, the Syracusan here, should do is to exhibit his dancing-girl to the state. Let him tell the authorities he is prepared, for a consideration, to give the whole Athenian people courage to face the hostile lances at close quarters. Whereat the jester: An excellent idea, upon my word; and when it happens, may I be there to see that mighty orator Peisander learning to throw somersaults into swords; since incapacity to look a row of lances in the face at present makes him shy of military service.
“At this stage of the proceedings the boy danced. The dance being over, Socrates exclaimed: Pray, did you notice how the beauty of the child, so lovely in repose, became enhanced with every movement of his supple body? To which Charmides replied: How like a flatterer you are! one would think you had set yourself to puff the dancing-master.
“To be sure (he answered solemnly); and there's another point I could not help observing: how while he danced no portion of his body remained idle; neck and legs and hands together, one and all were exercised.That is how a man should dance, who wants to keep his body light and healthy.(Then turning to the Syracusan, he added): I cannot say how much obliged I should be to you, O man of Syracuse, for lessons in deportment. Pray teach me my steps.
And what use will you make of them? (the other asked).
God bless me! I shall dance, of course (he answered).
The remark was greeted with a peal of merriment.
“Then Socrates, with a most serious expression of countenance: You are pleased to laugh at me. Pray, do you find it so ridiculous my wishing to improve my health by exercise? or to enjoy my victuals better? to sleep better? or is it the sort of exercise I set my heart on? Not like those runners of the long race,to have my legs grow muscular and my shoulders leaner in proportion; nor like a boxer, thickening chest and shoulders at expense of legs; but by distribution of the toil throughout my limbsI seek to give an even balance to my body. Or are you laughing to think that I shall not in future have to seek a partner in the training school, whereby it will not be necessary for an old man like myself to strip in public? All I shall need will be a seven-sofa'd chamber,where I can warm to work, just like the lad here who has found this room quite ample for the purpose. And in winter I shall do gymnastics under cover, or when the weather is broiling under shade. . . . But what is it you keep on laughing at — the wish on my part to reduce to moderate size a paunch a trifle too rotund? Is that the source of merriment? Perhaps you are not aware, my friends, that Charmides — yes! he there — caught me only the other morning in the act of dancing?
“Yes, that I will swear to (the other answered), and at first I stood aghast, I feared me you had parted with your senses; but when I heard your explanation, pretty much what you have just now told us, I went home and — I will not say, began to dance myself (it is an accomplishment I have not been taught as yet), but I fell to sparring,an art of which I have a very pretty knowledge.
That's true, upon my life! (exclaimed the jester). One needs but look at you to see there's not a dram of difference between legs and shoulders.I'll be bound, if both were weighed in the scales apart, like "tops and bottoms," the clerks of the marketwould let you off scot-free.
Then Callias: O Socrates, do please invite me when you begin your dancing lessons. I will be your vis-a-vis,and take lessons with you.
Come on (the jester shouted), give us a tune upon the pipe, and let me show you how to dance.
“So saying up he got, and mimicked the dances of the boy and girl in burlesque fashion, and inasmuch as the spectators had been pleased to think the natural beauty of the boy enhanced by every gesture of his body in the dance, so the jester must give a counter- representation,in which each twist and movement of his body was a comical exaggeration of nature. And since the girl had bent herself backwards and backwards, till she was nearly doubled into the form of a hoop, so he must try to imitate a hoop by stooping forwards and ducking down his head.
“And as finally, the boy had won a round of plaudits for the manner in which he kept each muscle of the body in full exercise whilst dancing, so now the jester, bidding the flute-girl quicken the time (presto! presto! prestissimo!), fell to capering madly, tossing legs and arms and head together, until he was fairly tired out, and threw himself dead beat upon the sofa, gasping: ‘There, that's a proof that my jigs too are splendid exercise; at any rate, I am dying of thirst; let the attendant kindly fill me the mighty goblet.’”
Image Sources: Wikimedia Commons
Text Sources: Stanford Encyclopedia of Philosophy /plato.stanford.edu, Internet Encyclopedia of Philosophy iep.utm.edu; Internet Ancient History Sourcebook: Greece sourcebooks.fordham.edu ; Internet Ancient History Sourcebook: Hellenistic World sourcebooks.fordham.edu ; BBC Ancient Greeks bbc.co.uk/history/ ; Canadian Museum of History historymuseum.ca ; Perseus Project - Tufts University; perseus.tufts.edu ; MIT, Online Library of Liberty, oll.libertyfund.org ; Gutenberg.org gutenberg.org Metropolitan Museum of Art, National Geographic, Smithsonian magazine, New York Times, Washington Post, Los Angeles Times, Live Science, Discover magazine, Times of London, Natural History magazine, Archaeology magazine, The New Yorker, Encyclopædia Britannica, "The Discoverers" [∞] and "The Creators" [μ]" by Daniel Boorstin. "Greek and Roman Life" by Ian Jenkins from the British Museum.Time, Newsweek, Wikipedia, Reuters, Associated Press, The Guardian, AFP, Lonely Planet Guides, “World Religions “ edited by Geoffrey Parrinder (Facts on File Publications, New York); “History of Warfare” by John Keegan (Vintage Books); “History of Art” by H.W. Janson Prentice Hall, Englewood Cliffs, N.J.), Compton’s Encyclopedia and various books and other publications.
Last updated October 2018